The Autumns-Fake Noise From A Box Of Toys-CD-FLAC-2007-THEVOiD | Music | FLAC | 288.27 MiB
Indie | English FLAC 962 kb/s VBR
DRIFT INTO THE VOID
Info
Artist | The Autumns
Title | Fake Noise From A Box Of Toys
Genre | Indie Format | Album
Source | CD Time | 43:19
Label | Bella Union Store | 2007
Catalog | BELLACD 147 Rip | 2020
Bitrate | 926 kbps Size | 301.92 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
Tracks
01. Turning Strangers Into Friends And Friends Into Customers 0:50
02. Boys 2:44
03. Clem 3:43
04. The Midnight Knock 2:19
05. Killer In Drag 4:54
06. Night Music 4:46
07. Only Young 3:39
08. Glass Jaw 3:01
09. Uncle Slim 4:18
10. The Beautiful Boot 2:31
11. Adelaide 4:27
12. Oh My Heart 6:07
Notes
The Autumns were an ethereal and emotive dream pop group who sometimes wore
their influences on their sleeves. However, the fact that they won the
admiration of some of their heroes proves that they were no imitation act
bent on replicating their precursors. The Los Angeles band - Eric Crissman,
Frank Koroshec, Matthew Kelly, and Jon Santana - came together in the four
members' senior year of high school in 1992. Through frequent gigging in
their area, numerous labels became interested, some of them with large
budgets.
Always putting creative control above everything else, the band opted to
sign with the independent Risk, a label run by former Concrete Blonde and
INXS manager Frank Volpe. The "Suicide At Strell Park" EP was released in
1997, with full-length "The Angel Pool" following later in the year.
"Winter In A Silver Box", a four-song EP that featured two remixes, saw
issue in 1999. The Autumns hooked up with Cocteau Twins bassist Simon
Raymonde (a major influence), who produced 2000's "In The Russet Gold Of
This Vain Hour". "The Autumns Present Le Carillon", a four-song EP, was
released a year later.
The Autumns have been around since the early '90s, but due to label
failures and the other frustrations of indie life, their release schedule
has been so sporadic that every album feels like a surprise comeback. This
is particularly the case with their fourth full-length, "Fake Noise From A
Box Of Toys", which is a fairly radical change from their earlier work.
Previous albums like "In The Russet Gold Of This Vain Hour" were full of
shimmering, slowly unfolding dream pop soundscapes directly influenced by
the likes of My Bloody Valentine and the Cocteau Twins, whose Simon
Raymonde signed the Los Angeles band to his Bella Union label some time
back.
There are intermittent flashes of that sound on "Fake Noise From A Box Of
Toys" (notably on 'The Midnight Knock' and 'The Beautiful Boot'), but this
is a far more immediate album overall. Points of comparison this time
aren't the wall-of-effects-pedals wash that Robin Guthrie or Kevin Shields
specialized in, but the self-consciously epic likes of Simple Minds, U2,
Radiohead, or even Coldplay: singer Matthew Kelly tends to favor the
highest end of his range la Chris Martin or Thom Yorke.
Anthemic singalong choruses, catchy guitar riffs, and layered harmonies -
things The Autumns never had much truck with on their earlier albums - are
the focus of songs like "Boys", "Glass Jaw" and "Clem," any of which could
conceivably be mainstream alt-rock radio hits. That may sound like the
Autumns have abandoned themselves to the wider pop marketplace, but what's
most impressive about "Fake Noise From A Box Of Toys" is that the group
maintains enough of their own musical personality on songs like the
swirling closer "Oh My Heart" and the dramatic high point "Killer In Drag"
that the more accessible songs sound like evolution, not sellout.
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