The Autumns-Fake Noise From A Box Of Toys-CD-FLAC-2007-THEVOiD | Music | FLAC | 288.27 MiB
Indie | English FLAC 962 kb/s VBR
DRIFT INTO THE VOID Info Artist | The Autumns Title | Fake Noise From A Box Of Toys Genre | Indie Format | Album Source | CD Time | 43:19 Label | Bella Union Store | 2007 Catalog | BELLACD 147 Rip | 2020 Bitrate | 926 kbps Size | 301.92 MB Freq | 44.1 kHz Encoder | FLAC 1.3.1 Tracks 01. Turning Strangers Into Friends And Friends Into Customers 0:50 02. Boys 2:44 03. Clem 3:43 04. The Midnight Knock 2:19 05. Killer In Drag 4:54 06. Night Music 4:46 07. Only Young 3:39 08. Glass Jaw 3:01 09. Uncle Slim 4:18 10. The Beautiful Boot 2:31 11. Adelaide 4:27 12. Oh My Heart 6:07 Notes The Autumns were an ethereal and emotive dream pop group who sometimes wore their influences on their sleeves. However, the fact that they won the admiration of some of their heroes proves that they were no imitation act bent on replicating their precursors. The Los Angeles band - Eric Crissman, Frank Koroshec, Matthew Kelly, and Jon Santana - came together in the four members' senior year of high school in 1992. Through frequent gigging in their area, numerous labels became interested, some of them with large budgets. Always putting creative control above everything else, the band opted to sign with the independent Risk, a label run by former Concrete Blonde and INXS manager Frank Volpe. The "Suicide At Strell Park" EP was released in 1997, with full-length "The Angel Pool" following later in the year. "Winter In A Silver Box", a four-song EP that featured two remixes, saw issue in 1999. The Autumns hooked up with Cocteau Twins bassist Simon Raymonde (a major influence), who produced 2000's "In The Russet Gold Of This Vain Hour". "The Autumns Present Le Carillon", a four-song EP, was released a year later. The Autumns have been around since the early '90s, but due to label failures and the other frustrations of indie life, their release schedule has been so sporadic that every album feels like a surprise comeback. This is particularly the case with their fourth full-length, "Fake Noise From A Box Of Toys", which is a fairly radical change from their earlier work. Previous albums like "In The Russet Gold Of This Vain Hour" were full of shimmering, slowly unfolding dream pop soundscapes directly influenced by the likes of My Bloody Valentine and the Cocteau Twins, whose Simon Raymonde signed the Los Angeles band to his Bella Union label some time back. There are intermittent flashes of that sound on "Fake Noise From A Box Of Toys" (notably on 'The Midnight Knock' and 'The Beautiful Boot'), but this is a far more immediate album overall. Points of comparison this time aren't the wall-of-effects-pedals wash that Robin Guthrie or Kevin Shields specialized in, but the self-consciously epic likes of Simple Minds, U2, Radiohead, or even Coldplay: singer Matthew Kelly tends to favor the highest end of his range la Chris Martin or Thom Yorke. Anthemic singalong choruses, catchy guitar riffs, and layered harmonies - things The Autumns never had much truck with on their earlier albums - are the focus of songs like "Boys", "Glass Jaw" and "Clem," any of which could conceivably be mainstream alt-rock radio hits. That may sound like the Autumns have abandoned themselves to the wider pop marketplace, but what's most impressive about "Fake Noise From A Box Of Toys" is that the group maintains enough of their own musical personality on songs like the swirling closer "Oh My Heart" and the dramatic high point "Killer In Drag" that the more accessible songs sound like evolution, not sellout.
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