Robert Nighthawk-Forest City Joe-Black Angel Blues-CD-FLAC-1991-THEVOiD | Music | FLAC | 219.40 MiB
Blues | English FLAC 473 kb/s VBR
DRIFT INTO THE VOID
Info
Artist | Robert Nighthawk / Forest City Joe
Title | Black Angel Blues
Genre | Blues Format | Album
Source | CD Time | 66:25
Label | Charly Records Store | 1991
Catalog | CDRED29 Rip | 2021
Bitrate | 457 kbps Size | 229.16 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
Tracks
01. Robert Nighthawk - My Sweet Lovin' Woman 2:52
02. Robert Nighthawk - Down The Line 2:50
03. Robert Nighthawk - Sweet Black Angel 3:05
04. Robert Nighthawk - Handsome Lover 2:58
05. Robert Nighthawk - She Knows How To Love A Man 3:09
06. Robert Nighthawk - Annie Lee Blues 3:16
07. Robert Nighthawk - Sugar Papa 2:52
08. Robert Nighthawk - Return Mail Blues 3:17
09. Robert Nighthawk - Good News 3:16
10. Robert Nighthawk - Six Three O 2:55
11. Robert Nighthawk - Prison Bound 3:00
12. Robert Nighthawk - Jackson Town Gal 2:54
13. Robert Nighthawk - Sorry My Angel 3:36
14. Robert Nighthawk - Someday 3:06
15. Forest City Joe - Memory Of Sonny Boy 3:20
16. Forest City Joe - Special Delivery Man 2:51
17. Forest City Joe - Shady Lane Woman 3:01
18. Forest City Joe - A Woman On Every Street 2:49
19. Forest City Joe - Sawdust Bottom 2:51
20. Forest City Joe - Ash Street Boggie 2:51
21. Forest City Joe - Mean Mistreatin' Woman 2:50
22. Forest City Joe - Lonesome Day Blues 2:46
Notes
Of all the pivotal figures in blues history, certainly one of the
most important was ROBERT NIGHTHAWK. He bridged the gap between
Delta and Chicago blues effortlessly, taking his slide cues from
Tampa Red and stamping them with a Mississippi edge learned first
hand from his cousin, Houston Stackhouse. Though he recorded from
the 30s into the early 40s under a variety of names - Robert Lee
McCoy, Rambling Bob, Peetie's Boy - he finally took his lasting
sobriquet of Robert Nighthawk from the title of his first record,
"Prowling Night Hawk". It should be noted that the huge lapses in
the man's discography are direct results of his rambling nature,
taciturnity, and seeming disinterest in making records. Once you got
him into a studio, the results were almost always of a uniform
excellence. But it might be two years or more between sessions.
Blues harpist FOREST CITY JOE was heavily influenced by John Lee
Sonny Boy Williamson. He not only played like him, but sang like him
as well. Unlike his idol, however, who was murdered on June 1, 1948,
Joe lived long enough to record for the Chess brothers in the early
days of their activities, when Chess was known as Aristocrat. Joe
was remembered as a 'great harp player' by Muddy Waters, who only
missed playing at Joe's one major Chess recording session on
December 2, 1948, when Joe was only 21. Joe had more of a country
sound than most Chicago artists of the period, so it's surprising
that the Chess brothers paired him up with J.C. Coles, a jazz
guitarist of no seeming special account, who added little to a
session but a few barely audible chords.
Roots Chess blues in effect.. Nighthawk and City Joe, best of the
best combined - enjoy!
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