Amy LaVere-Stranger Me-CD-FLAC-2011-THEVOiD | Music | FLAC | 302.07 MiB
Folk-Rock | English FLAC 959 kb/s VBR
DRIFT INTO THE VOID Info Artist | Amy LaVere Title | Stranger Me Genre | Folk-Rock Format | Album Source | CD Time | 45:23 Label | Archer Records Store | 2011 Catalog | 3319362 Rip | 2021 Bitrate | 931 kbps Size | 315.91 MB Freq | 44.1 kHz Encoder | FLAC 1.3.1 Tracks 01. Damn Love Song 5:12 02. You Can't Keep Me 3:07 03. Red Banks 3:29 04. A Great Divide 3:11 05. Often Happens 3:37 06. Lucky Boy 3:38 07. Tricky Heart 4:45 08. Stranger Me 4:45 09. Candle Mambo 4:07 10. Cry My Eyes Out 4:37 11. Let Yourself Go (Come On) 4:55 Notes While Amy LaVere's voice may have the high, breathy tone of a young girl, she brings to her music the emotional peaks and valleys of a grown woman who has certainly seen her share of the world, and it's hard not to believe that her adventurous life has informed her work. LaVere was born Amy Fant, in a small town near the border of Texas and Louisiana to parents who were part-time musicians. Her family's nomadic life led LaVere to live in 13 different places before she finished high school, and when her folks finally settled in Detroit, she rejected the classic country sounds they doted on - Johnny Cash, Dolly Parton, and Willie Nelson were their favorites - in favor of punk rock. LaVere played drums and sang in a Motor City punk band called Last Minute, but after graduating she grew restless and headed back to Louisiana, which turned out to be a brief stop on the way to a job in Nashville, working for a music management company. Turmoil, particularly of the romantic sort, often creates great art. That's especially true in music, where breakups have produced classics such as Dylan's "Blood On The Tracks" and Fleetwood Mac's "Rumours". It has also proved a spark for Americana singer/songwriter/standup bassist Amy LaVere. Dark topics of love gone awry have always been part of her repertoire, but on her third and most introspective album, the dissolution of a long personal relationship with drummer Paul Taylor (who contributes to every track even though the album was recorded after their split), and the death of her mentor/producer Jim Dickinson, give her music a dusky, often unsettling edge that marks this as LaVere's most compelling and challenging set yet. On atmospheric, even spooky songs such as "Cry My Eyes Out", with its shimmering feedback, reverbed guitar, and oozingly slow beat, there's a sense of desperation that goes far deeper than the lyrics or oblique melody. Multi-instrumentalist Paul Steff's vibraphone and treated keyboards are integral components to many of the tracks, including that one, infusing an oblique, murky approach often cloaked in shadows. The somewhat disconcerting cover photo of a raccoon mask painted on LaVere's face should make it clear that this time out, things are a little, well, stranger, than on her previous releases. Brooding musings such as the opening "Damn Love Song". with its militaristic beat, underlying harmonium, layered instrumentation, and LaVere's thumping acoustic bass is a clear break from her generally lighter, more folk/country music past. Even upbeat tunes like the funky "A Great Divide", with its popping bass riff and surprise jazzy sax solo features lyrics that describe the disconnect between her and her lover with a title that speaks to both the physical and psychological distance. Although the majority of the set is original, any Americana artist who covers both Jimbo Mathus' lovely "Lucky Boy" and Captain Beefheart's typically twisted "Candle Mambo" (perhaps the only recorded interpretation of this song) is clearly pushing the boundaries of the genre in all sorts of interesting, non-linear directions. The dichotomy of her breath, her girlish voice, and the music's slightly experimental bent makes for a riveting experience. It's an indication that LaVere is developing her talents and setting her sights on far wider vistas than her other two releases, as impressive as they were, indicated. In that respect, "Stranger Me" is not only a logical title but a demanding and surprisingly successful experiment that challenges both LaVere and the listener, pushing her into edgy, clearly non-commercial areas. It might have taken some tough changes and choices to get here, but at least artistically, those difficult times have paid off handsomely.
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