Amy LaVere-Stranger Me-CD-FLAC-2011-THEVOiD | Music | FLAC | 302.07 MiB
Folk-Rock | English FLAC 959 kb/s VBR
DRIFT INTO THE VOID
Info
Artist | Amy LaVere
Title | Stranger Me
Genre | Folk-Rock Format | Album
Source | CD Time | 45:23
Label | Archer Records Store | 2011
Catalog | 3319362 Rip | 2021
Bitrate | 931 kbps Size | 315.91 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
Tracks
01. Damn Love Song 5:12
02. You Can't Keep Me 3:07
03. Red Banks 3:29
04. A Great Divide 3:11
05. Often Happens 3:37
06. Lucky Boy 3:38
07. Tricky Heart 4:45
08. Stranger Me 4:45
09. Candle Mambo 4:07
10. Cry My Eyes Out 4:37
11. Let Yourself Go (Come On) 4:55
Notes
While Amy LaVere's voice may have the high, breathy tone of a young girl,
she brings to her music the emotional peaks and valleys of a grown woman
who has certainly seen her share of the world, and it's hard not to believe
that her adventurous life has informed her work. LaVere was born Amy Fant,
in a small town near the border of Texas and Louisiana to parents who were
part-time musicians. Her family's nomadic life led LaVere to live in 13
different places before she finished high school, and when her folks
finally settled in Detroit, she rejected the classic country sounds they
doted on - Johnny Cash, Dolly Parton, and Willie Nelson were their
favorites - in favor of punk rock. LaVere played drums and sang in a Motor
City punk band called Last Minute, but after graduating she grew restless
and headed back to Louisiana, which turned out to be a brief stop on the
way to a job in Nashville, working for a music management company.
Turmoil, particularly of the romantic sort, often creates great art. That's
especially true in music, where breakups have produced classics such as
Dylan's "Blood On The Tracks" and Fleetwood Mac's "Rumours". It has also
proved a spark for Americana singer/songwriter/standup bassist Amy LaVere.
Dark topics of love gone awry have always been part of her repertoire, but
on her third and most introspective album, the dissolution of a long
personal relationship with drummer Paul Taylor (who contributes to every
track even though the album was recorded after their split), and the death
of her mentor/producer Jim Dickinson, give her music a dusky, often
unsettling edge that marks this as LaVere's most compelling and challenging
set yet.
On atmospheric, even spooky songs such as "Cry My Eyes Out", with its
shimmering feedback, reverbed guitar, and oozingly slow beat, there's a
sense of desperation that goes far deeper than the lyrics or oblique
melody. Multi-instrumentalist Paul Steff's vibraphone and treated keyboards
are integral components to many of the tracks, including that one, infusing
an oblique, murky approach often cloaked in shadows. The somewhat
disconcerting cover photo of a raccoon mask painted on LaVere's face should
make it clear that this time out, things are a little, well, stranger, than
on her previous releases. Brooding musings such as the opening "Damn Love
Song". with its militaristic beat, underlying harmonium, layered
instrumentation, and LaVere's thumping acoustic bass is a clear break from
her generally lighter, more folk/country music past.
Even upbeat tunes like the funky "A Great Divide", with its popping bass
riff and surprise jazzy sax solo features lyrics that describe the
disconnect between her and her lover with a title that speaks to both the
physical and psychological distance. Although the majority of the set is
original, any Americana artist who covers both Jimbo Mathus' lovely "Lucky
Boy" and Captain Beefheart's typically twisted "Candle Mambo" (perhaps the
only recorded interpretation of this song) is clearly pushing the
boundaries of the genre in all sorts of interesting, non-linear directions.
The dichotomy of her breath, her girlish voice, and the music's slightly
experimental bent makes for a riveting experience.
It's an indication that LaVere is developing her talents and setting her
sights on far wider vistas than her other two releases, as impressive as
they were, indicated. In that respect, "Stranger Me" is not only a logical
title but a demanding and surprisingly successful experiment that
challenges both LaVere and the listener, pushing her into edgy, clearly
non-commercial areas. It might have taken some tough changes and choices to
get here, but at least artistically, those difficult times have paid off
handsomely.
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