World Music: A Very Short Introduction By: Philip V Bohlman [Audiobook] | Audiobooks – Art | M4B@126kb/s | 231.72 MiB
2020-10-27 | ASIN: 1705206646 | english | 4h14m
Author: Philip V. Bohlman
Narrated by: Tim Campbell
The term world music encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before.
In this new edition of his Very Short Introduction title, Philip Bohlman considers questions of meaning and technology in world music and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing.
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Book Information
================
Title: World Music: A Very Short Introduction
Book Copyright: 2020 Philip V. Bohlman
Recording Copyright: 2020 Tantor
Publisher: Tantor Audio
Genre: Arts & Entertainment
Author: Philip V. Bohlman
Narrator: Tim Campbell
Ripper: familiarr_Strangerr
Source Format: Audible AAXC
Source Sample Rate: 44.1 kHz
Source Channels: 2
Source Bitrate: 128 kbps
Lossless Encode: Yes
Encoded Codec: AAC
Encoded Sample Rate: 44.1 kHz
Encoded Channels: 2
Encoded Bitrate: 128 kbps
Encode Size: 231 MiB
Release Date: 27-Oct-2020
Duration: 4 hours, 14 minutes, 48 seconds
Chapters: 9
Book Description
================
The term world music encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before.
In this new edition of his Very Short Introduction title, Philip Bohlman considers questions of meaning and technology in world music and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing.
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