Lloyd Cole-Lloyd Cole-CD-FLAC-1990-THEVOiD | Music | FLAC | 338.23 MiB
Indie | English FLAC 916 kb/s VBR
DRIFT INTO THE VOID
Info
Artist | Lloyd Cole
Title | Lloyd Cole
Genre | Indie Format | Album
Source | CD Time | 52:18
Label | Polygram Records Store | 1990
Catalog | 841 907-2 Rip | 2021
Bitrate | 895 kbps Size | 354.02 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
Tracks
01. Don't Look Back 3:44
02. What Do You Know About Love 4:09
03. No Blue Skies 4:10
04. Loveless 4:10
05. Sweetheart 4:31
06. To The Church 2:26
07. Downtown 5:20
08. A Long Way Down 5:22
09. Icecream Girl 3:06
10. Undressed 3:05
11. I Hate To See You Baby Doing That Stuff 4:01
12. Waterline 2:59
13. Mercy Killing 5:15
Notes
Through both his lauded work fronting The Commotions and his more eclectic
solo efforts, Lloyd Cole established himself as one of the most articulate
and acute songwriters of the post-punk era. As a songwriter, Lloyd Cole's
literate and quite British lyrical style is wed to a melodic sensibility
that's graceful even when he's at his most physical. Musically, Cole's
sound has steadily evolved since he made his debut with his group The
Commotions on 1984's Rattlesnakes.
In the two and a half years following the release of Mainstream, Cole
signed to Capitol Records in the US, split from The Commotions, and moved
to New York. For his first solo album, he assembled a team consisting of
two New York band veterans - drummer/co-producer Fred Maher and guitarist
Robert Quine, both of whom had played in Richard Hell's Voidoids and Lou
Reed's backup group - plus bassist Matthew Sweet and Commotions keyboard
player Blair Cowan.
As a result, Lloyd Cole boasts a tougher, harder sound than The Commotions'
records. Cole's vocals, meanwhile, have become more direct and less
stylized. Cole's lyrics are also less adorned, and he has lightened up
somewhat. Much of Lloyd Cole is musically astringent in a way Cole hasn't
managed previously, even if the album is far less ambitious than his first
two records.
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